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SOTD: from Rachel Vorona Cote's brilliant review of Thalia Field's *Personhood* in *The Nation*

September 24, 2021 Amy Penne

Personhood, it seems, bestows protagonistic relevance in a feral world of lesser beasts. But this self-aggrandizement, which Field presents as almost pathological in its tenacity, gravely impacts human ability to engage with flora and fauna—and, more specifically, to behave compassionately toward them.

← Review: Chicago's Court Theatre Production of Shakespeare's Othello--on a screen near you!National Theatre Live's R & J (on which I wrote many sentences) →
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